Receive The Power of Story

The Power of Story
By:Bonnie J. Collins,Trina M. Laughlin
Published on 2005-01-01 by Whole Person Associates

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A unique self-care strategy for therapists and helping professionals. Providing therapeutic help to someone who has suffered trauma puts the therapist at risk for vicarious traumatization. It can leave the therapist with symptoms of either an acute or a posttraumatic stress response. Therapists are story listeners. One of the primary benefits a therapist provides clients is a safe place to tell their stories and to express their pain, thus diminishing their burden. This often leaves the therapist sharing the burden and the pain. Ms. Collins and Ms. Laughlin have created a process of self-care that helps prevent and alleviate vicarious traumatization. Through the process of story-telling and hearing others' stories, therapists can be relieved of the trauma they have absorbed.

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Book ID of The Power of Story's Books is fbp6RWIuDkkC, Book which was written byBonnie J. Collins,Trina M. Laughlinhave ETAG "ZosNWeKK8t8"

Book which was published by Whole Person Associates since 2005-01-01 have ISBNs, ISBN 13 Code is 9781570252150 and ISBN 10 Code is 1570252157

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Book which have "139 Pages" is Printed at BOOK under CategoryPsychology

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Colm Tóibín, the particular award-winning novelist of These Excel atand Brooklyn, spins his or her particular attention towards the problematic human relationships involving daddies and sons—exclusively these tensions between the literary new york giants Oscar Wilde, John Joyce, W.B. Yeats, and also the fathers. Wilde loathed her dad, even if credited that they were substantially alike. Joyce's gregarious papa forced his or her boy from Ireland in europe caused by his volatile biliousness as well as drinking. Though Yeats's mother, a new painter, seemed to be funny enough , an amazing conversationalist as their yak is far more refined than the works they produced. Such well known individuals as well as the dads just who given a hand to appearance them arrive in throughout Tóibín's retelling, just as Dublin's colored inhabitants.

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