New Critical Approaches to the Short Stories of Ernest Hemingway
By:Jackson J. Benson
Published on 1990-12-28 by Duke University Press
DIVWith an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith/div
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Colm Tóibín, any award-winning contributor of The actual Get good atand Brooklyn, becomes the care for the challenging marriages around daddies and additionally sons—especially your trepidation amongst the literary the behemoths Oscar Wilde, Jeremy Joyce, W.B. Yeats, and even the fathers. Wilde loathed an individual's dad, though acknowledged that they are a lot alike. Joyce's gregarious parent swarm your partner's son with Ireland as a result of the volatile temperament and also drinking. Although Yeats's father, any mountain lion, was basically seemingly an ideal conversationalist as their chatter was a lot more svelte in comparison to the paintings she produced. Most of these widely known individuals additionally,the daddies just who improved shape individuals are available with your life throughout Tóibín's retelling, similar to Dublin's brilliant inhabitants.
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